Boundless Night

《夜有所思》描绘的是中国青年们的生活状态。个人情感与社会情绪的交织，建构了电影中的人物虚无缥缈的生活。五个朋友，沙沙、Jun、塔塔、Red、小北聚在一起，为塔塔过生日。这一天发生了许多事情，没有言说的爱情和友情在ta们的关系中错综复杂地交织着。没有一个人是胜利者。

Boundless Night depicts the lives of Chinese youth. The intertwining of personal and social emotions builds the rootless lives of the characters in the film. Five friends, Sasha, Jun, Tara, Red and Bei get together for Tara’s birthday. Many things happen on this day, unsaid love and friendship are intricately intertwined amongst them. In the end, no one wins. 

导演：萝茜黄
编剧：萝茜黄
主演：舒少环
制片人：舒少环
摄影：毕雨荷
类型：剧情短片
时长：33分钟
完成时间：2025年
对白语言：汉语普通话
地区：中国

Director: Rosie Huang
Screenwriter: Rosie Huang
Cast: Shu Shaohuan
Producer: Shu Shaohuan
Cinematographer: Bi Yuhe
Genre: Narrative Short Film
Length: 33 min
Year: 2025
Dialogue: Mandarin Chinese
Region: China

萝茜黄，做各种影像相关的创作，包括但不限于剧情片、纪录片、实验电影、动画等。

Rosie Huang is a director who works on a variety of video-related projects, including drama film, documentary, experimental film, animation, etc.  

2023年初，我因亲密关系中的挣扎前往大理，创作一部关于情感的短片。大理聚集着一群逃离大都市的年轻人，ta们各自背负着对爱情的疑虑、迷茫与试探，这深深吸引了我。我通过表演工作坊与演员们共同构建角色，在碰撞中打磨故事，希望ta们既能在创作中获得成长，也能在影片中留下独特的个人印记。本片的剧本来自于身边真实经历的提纯，剧作的核心是一场友情的破裂，而裂痕的根源指向对贫困的羞耻感。对我而言，这是一种最难以承受的羞耻：我无法接受施舍，更无法接受在关系中成为金钱依附的一方。然而，如果身处努力也无法摆脱的普遍贫困，我或许仍会选择依附，哪怕内心的女权主义一面强烈抗拒。

In early 2023, struggles in my intimate relationship led me to Dali, where I began creating a short film about love and emotion. There, I encountered a group of young people who had left big cities behind; each carried doubts, confusion, and hesitations about love, which deeply attracted me. Through performance workshops, I worked with the actors to build characters and refine the story, hoping they would not only gain personal growth through the process but also leave their unique imprint on the film. That experience made me realize the core of the script should be a rupture in friendship, with its root pointing to the shame of poverty. For me, this is the hardest kind of shame to bear: I struggle to accept charity, let alone becoming financially dependent in a relationship. Yet, if I were caught in a poverty so pervasive that hard work could not resolve it, I might still choose dependency—despite the fierce resistance of my feminist self.