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从不幸婚姻出逃的中年女人,跟随年轻恋人前往海岛拍摄申研作品集,在恋人陈设的装置中扮演她的母亲…… 

A middle-aged woman who escaped from an unhappy marriage accompanies her young girl lover to an island to shoot a graduate portfolio project, playing her mother in the installations set up by her lover…… 

导演:郑淼鑫、吴江东
编剧:郑淼鑫
主演:李秀怡、谷璐莹
制片人:高天祎
摄影:吴江东
类型:剧情短片
对白语言:汉语普通话

Director: Zheng Miaoxin, Wu Jiangdong
Screenwriter: Zheng Miaoxin
Cast: Li Xiuyi, Gu Luying
Producer: Gao Tianyi
Cinematographer: Wu Jiangdong
Genre: Narrative Short Film
Language: Mandarin Chinese


郑淼鑫 Zheng Miaoxin

郑淼鑫,研究生毕业于上海电影学院电影导演专业及台湾世新大学电影创作组。作品曾入选台湾国际女性影展实验影像工作坊、上海西岸大剧院艺术家驻地计划、羊城晚报青年导演扶持“山海计划”十强、南光火花计划实验片单元。 

Zheng Miaoxin holds a Master’s degree in Film Directing from Shanghai Film Academy and also studied in the Film Production Program at Shih Hsin University in Taiwan. His work has been selected for the Experimental Image Workshop at the Taiwan International Women’s Film Festival, the Artist Residency Program at The West Bund Grand Theatre, the Top Ten of the Yangcheng Evening News Emerging Directors Support Program (Shanhai Project), and the Experimental Selection of the NanLite Spark Project. 

吴江东 Wu Jiangdong

吴江东,电影、广告摄影师与调色师,研究生毕业于上海电影学院电影导演专业。调色作品包括《鸡蛋、头绳、作业本》、《第二个孩子》、《热天午后》、《鱼儿》等,作品入围威尼斯国际电影节、柏林国际电影节、莫斯科国际电影节、上海国际电影节等国内外各大A类影展主竞赛单元。 

Wu Jiangdong is a cinematographer, commercial photographer, and colorist. He graduated from Shanghai Film Academy, majoring in Film Directing. His color grading works include Hair Tie, Egg, Homework BooksThe Second ChildRemains of the Hot Day, and No place to place. His works have been selected for the main competition sections of major international film festivals, including the Venice International Film Festival, Berlin International Film Festival, Moscow International Film Festival, and Shanghai International Film Festival. 

导演阐述 Director’s Statement

这是一个关于欲望、母性幻影与女性主体困顿的故事。希望通过角色扮演与影像重构的手法,呈现身体如何被凝视、被占用,也如何在破碎中挣扎求生。 

This film tells a story of desire, the phantom of motherhood, and the complex dilemma of female subjectivity. Through role-playing and visual reconstruction, I aim to explore how the female body is gazed upon, possessed, and how it strives to survive amid fragmentation.