Post: 囡囝出逃记 NAN RUN!

2024年6月7日

导演:李颖怡
编剧:吴安郡 李颖怡
主演:景兰荑 张一
制片人:朱言
摄影:伍嘉成
类型:剧情短片
时长:19分钟
完成时间:2022
对白语言:汉语普通话
地区:中国
制片公司:北京憨人文化有限公司

Director: Yingyi Li
Screenwriter:  Anjun Wu, Yingyi Li
Cast: Lanyi Jing, Yi Zhang
Producer: Yan Zhu
Cinematographer: Jiacheng Wu
Genre: Featured short film
Length: 19min
Year: 2022
Dialogue: Mandarin Chinese
Region: China
Production Company: Beijing Hanren Culture Co., Ltd

故事梗概 Synopsis

完美改造中心是一个绝对性别正确的地方,有一天被评为“完美女生”监督所有人的队长好好意外发现她最好的男生朋友囝囝怀孕了…

Perfect Transformation Center is a place where there only exists genders that are absolutely right. One day, Hao Hao, the team leader, who has been awarded the title of “Perfect Girl”, accidentally finds that her best male friend Nan Nan is pregnant…

导演介绍 Director’s Biography

李颖怡毕业于中央戏剧学院,获艺术学士、硕士学位(导演)。处女作电影《这众所周知的事》,该片入围第十三届FIRST青年电影展。短片《对她说》入围中国国际电影节、中韩青年梦享微电影展,荣获国际女性电影节最佳剪辑、国际大学生电影节最佳导演。电影剧本《绿站村的吉他》入选国家广电总局青年剧本扶持计划。电影剧本《凡人》入选FIRST类型片实验室年度入选电影计划。担任实验戏剧《两个人》的制作人,入围各大国内戏剧节,并被多个艺术空间、展览邀请演出。

Yingyi Li graduated from The Central Academy of Drama. She has acquired a bachelor’s and master’s degree in art in the field of directing. Her first film Shall We Talk was nominated for the 13rd FIRST International Film Festival. Her short film Talk To Her was nominated for Chinese International Festival and Chinese Korean Share Your Dream Short Film Festival. It received Best Editing Award in International Women’s Festival and Best Director Award in International College Student Festival as well. Her film script Guitar in Green Village was selected for the Youth Script Support Program of National Radio and Television Administration. Her film script The Common People was selected for Annual Film Program of FIRST Genre Lab. Li was the producer of the experimental drama Two Men. This work has been nominated for many domestic drama festivals, and it has been put on the stage under the invitation of many art spaces and exhibitions.

导演阐述 Director’s Statement

此片以“完美改造中心”的概念,通过暗黑童话的风格,将我们关于性别的束缚和矛盾集中展示在这个奇幻的空间里。展现少男少女们在“性别”面前的抉择,让一群被禁锢的少年们互助逃亡的故事。

本片的主角是三位青少年,每个人身上都有不同群体的标签和特色。比如,好好是典型女孩代表,她成绩优异是同学们的领导者;囝囝代表的是LGBTQ+群体,通过审问,对自己的信念产生了动摇,这也代表着该群体的困境;壮壮是男权的拥护者,以男性的身份承担着那些“应该”承担的责任。

打破了传统公益剧情片的模式和套路,通过逃亡的过程普及性教育:怎么帮助一个怀了生命的人,什么是真正的性别平等,如何坦然接受自己…

影片开场表现了女孩和男孩间很典型的思维。紧接着,囝囝怀孕这一事件彻底让好好感受到了生命的力量,冒着风险都决定要逃亡。

禁闭室里的每一句都拷问着那些传统的教条和观念,主流和非主流的价值观在一问一答的过程中慢慢揭露。

接近末尾,发现原来身边的很多人都想逃离“完美改造中心”,形成一个“ME TOO”接力棒的过程。有人在逃亡的过程中犹豫返回,选择了更保守的那条路,有人不畏风险都要尝试做自己,也有人誓死反对…..

这就是我们在面对“性别”议题时的百态。

This film focuses on the concept of “Perfect Transformation Center”. In the style of dark fairy tales, it demonstrates the constraints and conflicts in relation with genders in this fantastic space. Showing the choices of teenager boys and girls in the face of “gender” issues, the story tells us about how a group of confined young people manage to escape with the help of each other.

The major characters are three adolescents, each of whom embodies labels and features of different groups. For example, Hao Hao is the representative of a typical girl. She is excellent in studying and is the leader of other students. Nan Nan represents the LGBTQ+ group. He becomes hesitated about his own faith after being interrogated, which reflects the difficult situation of this group. Zhuang Zhuang is the supporter of patriarchy, who assumes his “rightful” responsibility under the identity of a male.

The film supersedes the conventional patterns of public service films, introducing the knowledge of sex education through the process of runaway, which includes the ways of assisting a pregnant person, of achieving real gender equality, and of accepting ourselves without struggles.

The beginning of the film displays the typical modes of thoughts among girls and boys. Shortly afterward, the pregnancy of Nan Nan exposes Hao Hao to the force of life thoroughly, and she firmly determined to run away even under the risk.

Every line in the confinement room questions those traditional dogmas and opinions. Both the mainstream and the non-mainstream values are brought under the spotlight during the process of questioning and answering.

Close to the end of the film, it is found that there are more people seeking to escape from Perfect Transformation Center, which indicates a metaphor of “ME TOO” relay baton. Some hesitate in the progress of escape and return, choosing the pathway that is more conservative, some attempt to stick to themselves regardless of risks, and some strongly oppose to it…

This is how we vary from each other when facing “gender” issues.