导演：熊仕凌
编剧：熊仕凌
主演：萧言卿、肖凤、吾木提、小黑
制片人：翁慧中、魏伊凡
摄影：李昊远
类型：剧情短片
时长：25分钟
完成时间：2023
对白语言：汉语普通话、贵州方言
地区：中国
制片公司：无
Director: Shilling Xiong
Screenwriter: Shilling Xiong
Cast: Yanqing Xiao, Feng Xiao, Wmut, Xiao Hei
Producer: Huizhong Weng, Yifan Wei
Cinematographer: Haoyuan Lee
Genre: Feature Short Film
Length: 25min
Year: 2023
Dialogue: Mandarin Chinese, Guizhou dialect
Region: China
Production Company: —
故事梗概 Synopsis
阔别故土多年的陈平带男友回乡探望生病的母亲，他乘着小船穿过座座险峰，未曾注意静谧的黔水下暗流涌动。他曾逃避的一切以爱的名义再次将他笼罩。这段旅程中，他与恋人的冲突揭开了自己与母亲间无法言说的矛盾。在相互的疏离中，又迎来了一次沉默的告别。
Chen Ping, who has been away from his homeland for many years, takes his boyfriend back to hometown for visiting his ill mother. He takes a boat through the dangerous peaks, not paying attention to the undercurrent in the quiet water. Everything he had run away from enveloped him again in the name of love. During the time, his conflict with lover unveils the unspeakable conflict between himself and his mother. In the mutual alienation, the silent farewell is coming.
导演介绍 Director’s Biography
北师港浸大影视系毕业生，创作常聚焦于当代社会中个体的情感需求与亲密关系的讨论，注重边缘群体的主体性表达。
Xiong Shiling graduated from UIC’s Film and Television Department, his works focus on the discussion of individual emotional need and intimate relationship in contemporary society, and express the subjectivity of marginalized groups.
导演阐述 Director’s Statement
故事灵感大多源自我对现今社会离异家庭的观察。我想通过陈平的处境和遭遇去挖掘一种无法言喻的情绪，试图通过这种方式深入青年人的精神世界，以此来探讨他们的生存困境：童年记忆、爱情、以及那些依附于故乡所存在的一切究竟意味着什么？我想在社会固守的情感道德价值里关注人们最真实的情绪。以及希望在这样的秩序下，突出边缘群体的主体性表达。我希望对这些问题的呈现能够引起大家更普遍的感触，在这个极速发展的时代下关照自己的情绪，去触摸那些理性无法替代的直觉记忆，或者说，换一种方式确知自我。
The story is mostly inspired by my observation of divorced families in modern society. I wanted to explore the unspeakable emotion through Chen Ping’s situation and encounter, and I tried to penetrate into the spiritual world of the young people in this way, so as to explore their existential dilemma: what do childhood memories, love, and everything that attached to the hometown mean? I would like to focus on people’s true emotions within the moral values that the society holds on to, and highlight the subjective expressions of marginalized groups in this order. I hope that my presentation of these issues could arrive a more general feeling of caring for self-emotions in this era of rapid development, to touch the intuitive memory that cannot be replaced by reason, or to acknowledge oneself in a different way.
