THE FISHBOWL GIRL

小惟与同学们到泰国毕业旅行，当她发现心仪女孩有暧昧对象，心情烦闷下，遂与男同学一起光顾泰国浴，见识了泰国的金鱼缸文化。对于小惟，这是她人生第一次的性消费。碍于生理女性身份，泰国浴的体验没有她想像的美好……

Wei, a young lesbian, goes to Thailand on a graduation trip. After witnessing an intimate interaction between the girl she fancies and a male friend, she goes to a Thai massage parlour. However, the experience falls short of her expectations.

导演：巫虹仪
编剧：陈宏伟
主演：陈靓、布拉帕蒙顿·伊恩詹、王真琳、曾皓泽
制片人：黄惠侦、陈宏伟、王姿元
摄影：萧逸凡
类型：剧情短片
时长：23分钟
完成时间：2024年
对白语言：汉语普通话、英语
地区：台湾

Director: Hung Yi WU
Screenwriter: Bernd CHEN
Cast: Ching CHEN, Prapamonton Eiamchan, True WANG, Linus ZENG
Producer: Hui-Chen HUANG, Bernd CHEN, Tzu Yuan WANG
Cinematographer: Yi Fan Amber HSIAO
Genre: Narrative Short Film
Length: 23 min
Year: 2024
Dialogue: Mandarin Chinese, English
Region: Taiwan

导演、编剧。台湾大学法律学系与台湾艺术大学电影学系毕业。以短片《2号球衣》，获得德国奥伯豪森影展评审团特别提及奖和首尔女性影展最佳导演奖，并入围中国西宁FIRST青年电影展等。最新短片《金鱼缸小姐》入围金马最佳剧情短片、克莱蒙-费朗短片影展、台北电影节最佳短片、夏威夷国际影展。目前持续投入戏剧与纪录影像创作，创作类型多在探讨人与人之间无可名状的关系与人性中自身矛盾的情感道德挣扎。

She graduated from the National Taiwan University of Law and the Department of Motion Picture at the National Taiwan University of Arts (NTUA). Her short film On the Waitlist was nominated at the Xining FIRST International Film Festival, won the Best Director award at the Seoul International Women’s Film Festival, and received a Special Mention from the Ecumenical Jury at the Oberhausen International Short Film Festival. Her latest work, The Fishbowl Girl, was selected for the Clermont-Ferrand International Short Film Festival and the Hawaii International Film Festival, and was nominated for Best Live Action Short Film at the Taipei Golden Horse Awards. She continues to create both narrative and documentary works, often delving into the ineffable complexities of human relationships, as well as the emotional and moral struggles of human nature.

在主流媒体的再现中，我所能接触的，几乎都是异性恋男性观看女性身体方式和以男性为中心去诠释女性间情感的视角。这些与我的生命经验大相迳庭，却在不知不觉间渗入自身，潜移默化成为我的观点，让我开始以他人的眼光审视自己。

因此，我希望透过这次的创作，在不带有扭曲的凝视下，自然地呈现出女性身体并展现出女性情感间的生命力。

My understanding of women’s bodies and emotional intimacy between women was initially shaped by media and hearsay—perspectives that were almost exclusively heterosexual and male. These external narratives stood in stark contrast to my own reality and subtly distorted my self-perception, causing me to view myself through a foreign and objectifying lens.

Through this film, I would like to present the female body through an untainted gaze, showcasing the authentic vitality and chemistry between two consenting women.