7 FOIS
7次
克里斯蒂娜·韦德克尔 Christine Wiederkehr
2024｜成长的烦恼 Growing Pain
某天下午，彬彬有礼的小男孩艾利奥，遇到了他导师的秘密情妇。这次意外的碰面使他吐露了自己对导师的感情，接着他又揭露了更多的秘密。
One afternoon, Elio, a young and very polite boy, meets his tutor’s secret mistress. This unexpected encounter compels him to confide his own feelings for his tutor. Later, he reveals even more secrets.
导演：克里斯蒂娜·韦德克尔
编剧：克里斯蒂娜·韦德克尔
主演：卢娜·维德勒、维达尔·阿佐尼、莫娜·佩特里、安东尼·肖普费尔、马努·安诺尼
制片人：克里斯蒂娜·韦德克尔、卡琳·科赫
摄影：菲利普·祖布伦
类型：剧情短片
时长：17分钟
完成时间：2024年
对白语言：法语、意大利语
地区：瑞士
制片公司：Return to the Well GmbH、 Dschoint Ventschr Filmproduktion
Director: Christine Wiederkehr
Screenwriter: Christine Wiederkehr
Cast: Luna Wedler, Vidal Arzoni, Mona Petri, Antonin Schopfer, Manu Annoni
Producer: Christine Wiederkehr, Karin Koch
Cinematographer: Filip Zumbrunn
Genre: Short feature film
Length: 17 min
Year: 2024
Dialogue: French, Italian
Region: Switzerland
Production Company: Return to the Well GmbH, Dschoint Ventschr Filmproduktion
克里斯蒂娜·韦德克尔 Christine Wiederkehr
克里斯蒂娜·韦德克尔（Christine Wiederkehr）出生于瑞士，曾在洛桑和苏黎世学习电影。她的毕业短片《小跳蚤！》（原版为“Floh!”，英文名为“Flea!”）广受好评，荣获多个奖项，其中包括柏林的新晋导演首步奖（First Steps Award）。此后她一直从事广告导演的工作，抚养着两个女儿，并创作了多部长篇电影剧本。《七次》（原版为“7 Fois”，英文译名“7 Times”）是一部短片，改编自她在研究剧本时听说的真实故事。
2023 《七次》（7 Fois）
2005 《小跳蚤！》（Floh!）
2003 《美人鱼》（Nixen）
2022 《我的路》（My Way）
2001 《芭比气质》（Barbie-Q）
Christine Wiederkehr was born in Switzerland Director 2 Bio and studied film in Lausanne and Zürich. Her graduation work, the short film “Floh!” (English title: Flea!) was widely acclaimed and won multiple awards, including the “First Steps Award” in Berlin. Since then, she has worked as a director for commercials, raised two daughters and developed several scripts for feature films. “7 Fois (7 Times)” is a short film based on a true story she was told while researching one of her screenplays.
2023 7 Fois
2005 Floh!
2003 Nixen
2002 My Way
2001 Barbie-Q
导演阐述 Director’s Statement
多年来，我从朋友那里听到了许多关于性虐待的故事，这无疑引起了我对这个主题的兴趣。少年时，我以为只有我有许多遭受过虐待的朋友，我以为他们只是倒霉而已。到我长大后，有类似遭遇的朋友数量不断增加，我内心的愤怒变得难以承受。我必须要弄明白：在我们现代、开明的社会中，为什么还有这么多儿童遭受虐待？我们如何才能阻止这种现象？作为成年人，我能为打击虐待儿童做些什么？
影片有意地拒绝给出最终的解决方案，而是让我们独自面对内心的问题与不安，通过反思自我，对这个议题的思考得以延续。我最大的心愿就是通过这部影片开始一场新的讨论。
我确信这一点：如果我们继续拒绝以全新的、根本的、全面的视角讨论虐待儿童的问题，这一问题将会在压抑与隐瞒中持续更久。
The many stories I have heard from friends over the years about sexual abuse are undoubtedly the reason for my interest in this subject. When I was a teenager, I thought I was the only one who had so many friends who had been abused and that it was simply a case of misfortune that it had happened. Witnessing the suffering of more and more friends as I grew older fueled an unbearable rage within me. I had to figure out: How come, in our modern, civilized societies, that so many children are abused? How can we stop this? And what can I do, as an adult, to contribute to the fight against it?
The film deliberately refuses a final resolution. It leaves us alone with our questions and our unease. By sending us back to ourselves, the subject cannot be closed. It is my greatest wish to open the door to new discussions.
I am certain of one thing: the longer we refuse to think about and debate child abuse from a renewed, radical and holistic perspective, the longer it will continue in suffocating secrecy.
