沙拉、橘子和花 Salad, Oranges and Flowers

导演:谷璐莹
编剧:谷璐莹
主演:蓝冰 田浥
制片人:吴嘉敏
摄影:黄慧怡
类型:剧情短片
时长:10分
完成时间:2022
对白语言:中文
字幕:中英
地区:中国大陆
制片公司:无

Director: Luying Gu
Screenwriter: Luying Gu
Cast: Bing Lan, Yi Tian
Producer: Jiamin Wu
Cinematographer: Katie Huang
Genre: Feature short
Length: 10min
Year: 2022
Dialogue: Chinese
Subtitles: Chinese, English
Region: China
Production Company: None

故事梗概 Synopsis

黎钰将自己散养的猫作为创作对象,⽽猫女形象常常闯进她的⽣活,甚至同现实的好友混淆……

A teacher chooses to get a marriage of convenience, finds herself living in a lie. She explores herself with “Catwoman” and becomes entangled with her friend and her fiancé.

导演介绍 Director Biography

谷璐莹,巴黎视觉传达学院艺术指导研究生,中国美术学院动画影视本科。

工作经历:

  • 2020-Present 自由职业 艺术指导/导演/演员
  • 2019-2020 Bing Booking Paris (Record label) Art Director
  • 2018-2019 阳狮广告集团巴黎总部 美术指导

    创作经历:

    • 2022《0108》实验短片 导演/编剧/主演
    • 2021 《What Are You Looking At》Performance 行为表演
    • 2021 《巧克力恰恰》独立长片 联合编剧/主演
    • 2020 《毛猿2020》 戏剧 创作者/主演
    • 2019 《恋爱的犀牛》巴黎小剧场版 戏剧 主演

    Luying Gu, Ecole Intuit.labArt Direction Master, China Academy of Art Animation and Film Bachelor.

    Work Experience:

    • 2020-Present  Freelance Art Director/ Director/ Actress
    • 2019-2020 Bing Booking Paris (Record label) Art Director
    • 2018-2019 Publicis Paris Junior Art Director

    Create Experience:

    2022 0108》Experimental short film Director/ Scenarist/ Leading Actress  

    2021 What are you looking at》Performance Artist @Picnic Art Festival

    2021 Chocolate Cha Cha》 Independent Film Co-scenarist/Leading Actress

    2020 The Hairy Ape》 Theatre Artist/Leading Actress

    2019 Rhinoceros In Love》 Theatre Leading Actress

    导演阐述 Director Statement

    这部影片是我写的长片剧本的⼀个先导影片,主要讲的是以谎言圆另一个谎言,自愿选择或是被迫抉择。我认识生活中有很大一部分为了正常生活不愿意暴露从而活在柜子里的同志,他们在体制内的集体意识和主体意识的互相对抗,讨论体制内的同志有没有另⼀种出路的可能。我长大的过程中接触过很多老师,他们都是凡人,有自己的欲望。而我受到关于教师这个职业的教育,总是让他们像圣⼈⼀样,在社会凝视下受到约束,也给家人带来无形的压力。所以这部电影其实是另⼀个平行世界的我可能在过的⽣活,但我依旧想要拉她⼀把。

    This film is mainly about using a lie to tell another lie, a voluntary choice or a forced choice. I know a large number of sexual minorities who are unwilling to expose themselves in order to live a normal life and thus live in the “closet”. It talks about the mutual confrontation between the collective consciousness and the subjective consciousness within the system, and discusses whether there is another kind of possible way out for sexual minorities within the institutions. In the process of growing up, I have met many teachers, and they are all mortals with their own desires. And I was educated about the profession of teachers, always making them like saints, restraining themselves under the gaze of society, and also bringing invisible pressure to their family.

    So this movie is actually a life I might be living in another parallel world, but I still want to give her a hand.

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