导演：郑玥
编剧：郑玥
主演：夏甄、曾亚雯
制片人：程冬林
摄影：郑明祁
类型：剧情短片
时长：25分钟
完成时间：2023
对白语言：汉语普通话
地区：中国
制片公司：无

Director: Yue Zheng
Screenwriter: Yue Zheng
Cast: Zhen Xia, Yawen Zeng
Producer: Donglin Chen
Cinematographer: Mingqi Zheng
Genre: Documentary
Length: 25min
Year: 2023
Dialogue: Mandarin Chinese
Region: China
Production Company: —

快递员小飞爱上了冒牌摄影师陈蓝，当她意外得知陈蓝的真实身份时，却发现自己的裸照出现在了艺术展览上。

The deliveryman Xiaofei falls in love with the fake photographer Chen Lan. When she unexpectedly discovers Chen Lan’s true identity, she realizes that her nude photos have appeared in an art exhibition.

导演郑玥，女，1998年出生于山东。本科毕业于中国传媒大学影视摄影与制作(影视剧摄影方向)，研究生毕业于中国传媒大学电影创作MFA。从图片摄影到视频拍摄再到电影创作，试图拓展自己多个维度的边界，持续进行影像视觉方面的探索与创作。

Director Zheng Yue, female, born in 1998 in Shandong. She completed her undergraduate studies at the Communication University of China, majoring in Film and Television Photography and Production (Film and Television Cinematography specialization), and obtained a graduate degree in MFA in Film Creation from the Communication University of China. Transitioning from still photography to video shooting and then to film creation, she endeavors to push the boundaries of her multidimensional capabilities and continuously explores and creates in the realm of visual imagery.

在此次的短片创作中，我想要通过照相机的视角，探讨凝视与被凝视的权力关系。手持相机的一方往往被看作权力的象征，而透过取景器被注视的一方，也通常是任人摆布的对象。此外，刻板印象中的“摄影师”与“模特”具有明显的职业性别属性，女性身体被相机拍摄成为写真照片，送到艺术展览上展出，完成了对身体的消费过程。短片中的男性身体被刻意搁置，成为被忽视的符号而存在。男性摄影师的身体虽然不在场，但由他代表的父权制社会却是整部短片叙事的大背景，始终笼罩在两位女性之间。

此外，我选择将“麻雀”与“花猫”作为一组动物意象出现在短片中。花猫与麻雀之间由狩猎关系组成的动物寓言，预示着整个故事的结局。

In this short film project, I aim to explore the power dynamics of gaze and being gazed upon through the perspective of a camera. The one holding a handheld camera is often seen as a symbol of power, while the one being observed through the viewfinder is typically subjected to being controlled. Furthermore, the stereotypical roles of “photographer” and “model” carry evident gender attributes, where the female body is captured by the camera as a photographic image and exhibited in an art exhibition, completing the process of body consumption. The male body in the film is deliberately sidelined, serving as a symbol of being overlooked. Although the physical presence of the male photographer is absent, the patriarchal society he represents remains the overarching background of the narrative, casting a shadow over the two female characters.

Additionally, I have chosen to incorporate the imagery of “sparrows” and “calico cats” as a pair of animal symbols in the short film. The animal fable of the hunting relationship between sparrows and calico cats foreshadows the conclusion of the entire story.