导演：法比安·斯图姆
编剧：法比安·斯图姆
主演：法比安·斯图姆、克努特·伯格
制片人：法比安·斯图姆、尼科拉·海姆
摄影：迈克尔·班尼特
类型：剧情长片
时长：104分钟
完成时间：2023
对白语言：德语
地区：德国
制片公司：Salzgeber

Director: Fabian Stumm
Screenwriter: Fabian Stumm
Cast: Fabian Stumm, Knut Berger
Producer: Fabian Stumm, Nicola Heim
Cinematographer: Michael Bennett
Genre: Feature film
Length: 104min
Year: 2023
Dialogue: German
Region: Germany
Production Company: Salzgeber

鲍里斯和乔纳森是一对多年的伴侣。但他们的关系已经到了这样的地步：晚上，他们不如分开过，一个躺在床上看书，另一个在隔壁房间的书桌前工作。鲍里斯与一位雄心勃勃的导演合作排演新电影，他沉浸其中，而乔纳森则试图重新定义自己作为作家的身份；乔纳森的小侄女乔西在这些与距离、亲近、信任、欲望和对失去的恐惧搏斗的日子中度过，她正试图用特立独行的方式来应对即将结束的童年生活。

《骨与名》是法比安·斯图姆的第一部长片，描绘了一群在生活中寻找自己位置的人。影片敏感而幽默地反思了人与人之间联系与距离并存的不和谐关系。

Boris and Jonathan have been a couple for many years. But their relationship has reached a point where they might as well spend their evenings together separately: One lies in bed reading, the other works at a desk in the next room. While Boris immerses himself deeper and deeper into rehearsals for a new film with an ambitious director, Jonathan tries to redefine his voice as a writer. Ghosting through these days of wrestling with distance, closeness, trust, desire and fear of loss is Jonathans’ young niece Josie, who is trying out idiosyncratic ways to deal with the approaching end of her childhood.

Bones and Names, the feature-length debut of Fabian Stumm, portrays a group of people searching for their place in life. A sensitive and humorous reflection on the dissonances in relationships that connect and distance us from each other.

法比安·斯图姆，导演、编剧、制片人，1981 年出生于科布伦茨，曾在纽约李·斯特拉斯堡戏剧电影学院学习表演。他曾在柏林 HAU、慕尼黑室内剧院、柏林人民剧场、纽约厨房和伦敦泰特现代等剧院登台演出。他的电影作品包括凯特·绍特兰的《少女洛荷》、吕西安·弗斯特纳的《贝拉之吻》、莎拉·布拉斯基维茨的《珍贵的艾维》以及获得格力莫-普雷斯奖提名的系列剧《压力》。2020年他首次执导短片《布鲁塞尔》。2022 年，他的第二部电影《丹尼尔》获得“注意柏林”电影节最佳中长篇电影奖。《骨与名》是他的第一部长片。

FABIAN STUMM (director, writer, producer, Boris), born 1981 in Koblenz, studied acting at the Lee Strasberg Theatre & Film Institute New York. He has appeared on stage at HAU Berlin, Münchner Kammerspiele, Volksbühne Berlin, The Kitchen New York and Tate Modern London, among others. His film work includes Lore by Cate Shortland, Bela Kiss: Prologue by Lucien Förstner, Precious Ivie by Sarah Blaßkiewitz, and the Grimme-Award nominated series Druck. He made his directorial debut in 2020 with the short film Bruxelles. In 2022, his second film Daniel was awarded Best Mid-Length Film at the Achtung Berlin Festival. Bones and Names is his feature film debut.

上一段感情结束后，我一度觉得部分的自我被淹没了。琼·狄迪恩曾写道：“记住曾经的我，这才是重点。”这句话对我很有启发。我想认清构成我生命的支柱。记住它的美好和稳定之处，记住是什么让我害怕或悲伤，以及这一切为何。但我只是在回想时才真正意识到这一点，在拍摄之前和之中，只有这股内在的动力在驱使着我。从某种意义上说，这部电影让我与自己和解并重聚。

After the end of my last relationship, I felt for a while that a part of me had been submerged. Joan Didion once wrote: Remember what it was to be me. That is always the point. That speaks to me. I wanted to come to terms with the pillars that make up my life. To remember what is good and stable about it, what scares me or makes me sad, and why. But I only really became aware of that in retrospect, before and during the shoot there was only this inner motor that drove me. In a sense, the film reconciled and reunited me with myself.