Post: 《固有的道德罪恶》 Intrinsic Moral Evil



Intrinsic Moral Evil

2013 | 11min | 汉姆·韦斯特拉 Harm Weistra

舞蹈片Dance Film

编剧 Screenwriter

汉姆·韦斯特拉 Harm Weistra

主演 Cast

Joan Ferré Gomez, Jorge Abraham, Guillen Ortiz, Frago Peña Gonzalez

制片人 Producer

汉姆·韦斯特拉 Harm Weistra

制片人 Producer

Jitte Hoekstra

摄影 Cinematographer

Jorrit Garretsen

对白语言 Language

英语 English

字幕 Subtitles

中文 Chinese


故事梗概 Synopsis



Intrinsic Moral Evil at first sight seems to be a tale of identity and growing up. But above all, the three dancers play a game with the viewer’s perception and expectations: is it a memory, a dream, a search for identity? Is it about loss of friendship or about coming of age? The layered story invites the audience to make its own interpretation. Ultimately, it is up to the viewer to draw conclusions and to take a stand.

导演简历 Bio-Filmography of Director

哈姆·韦斯特拉的艺术作品跨越多个领域,包括电影、摄影、媒体艺术和装置艺术。作为艺术家,他从自身经验和研究所得获得灵感,并对其作出回应,结果是概念性框架,和多层次的探索。哈姆·韦斯特拉在阿姆斯特丹工作生活,拥有社会科学的硕士学位,艺术学士学位。他曾在阿姆斯特丹Gerrit Rietveld Academie、鹿特丹Willem de Kooning Academie 学习绘画。


Harm Weistra’s artwork spans a variety of disciplines, including films, photos, media art and installations. As an artist, he draws inspiration from and produces work in response to his own experience and research. This results in a strong underlying conceptual framework, and a multi-layered approach.

Harm Weistra lives and works in Amsterdam. He holds a master’s degree in social sciences and a bachelor’s degree in fine art. He studied fine arts in the Netherlands at the Gerrit Rietveld Academie in Amsterdam and the Willem de Kooning Academie in Rotterdam.


导演阐述 Director’s Statement


His work tends to radiate a latent disturbance, but always simultaneously a disconcerting beauty. Most of his work is on the one hand touchingly beautiful, on the other hand painfully disruptive. Emphasizing aesthetics is not a means in itself, but a way to seduce the viewer to watch. By creating confusion and manipulating the viewer’s perception, Weistra invites the audience to become partaker and to reflect. The inherent visual seductiveness, along with the consciousness that his work evokes, complicates the reception of their manifold layers of meaning. By breaking the passivity of the spectator, his works references avant-garde theory as well as emancipatory movements. His work questions apparently rationally and logically but often culturally entrenched beliefs and opinions.