小宇
Little Boy
导演｜彭厚铭
编剧｜彭厚铭
主演｜霍政杰、吴晗、迟志舜
制片人｜彭厚铭
摄影｜岳旭阳
类型｜剧情短片
时长｜16分钟
完成时间｜2020
对白语言｜中文
字幕｜中英
地区｜中国
制片公司｜无
故事梗概
北方初冬夜里，小宇在陌生男子家中得知老家的外婆去世，隔日，身无分文的他第一次来到城市公墓，偶遇了来祭奠其奶奶的男孩……
导演介绍
北京电影学院电影学系本科在读
2019年一镜到底实验短片《保持站立》导演、编剧
Director and Writer ：《Standing》——one take experimental short film in 2019
导演阐述
这是一部十几分钟的短片，在创作之初我只是想表达一种情绪，这种情绪确确实实来自于我自己——在2019年清明的时候心血来潮去了北京的一处公墓，快十年没哭的我不知为何就在那里哭了出来。而从剧本故事来讲，这是个没有强烈冲突的电影，和拍摄初衷一样希望表达情绪，剧本大致有两条线，一条是十分具体的线，小宇外婆去世然后到公墓祭奠，另一条是小宇的生活情感线，从落魄到重燃希望，两条线是交织关系，皆集中于人物身上。从结果来看，两条线都完成得不好，剪辑时我仍然着重于情绪表达，模糊了故事线，希望观者能体会到影片的情绪而非故事本身。
Director｜Houming Peng
Screenwriter｜Houming Peng
Cast｜Zhengjie Huo, Han Wu, Zhishun Chi
Producer｜Houming Peng, Lin Cao
Cinematographer｜Xuyang Yue
Genre｜Short film, Drama
Length｜16min
Year｜2020
Dialogue｜Chinese
Subtitles｜Chinese, English
Region｜China
Production Company｜None
Synopsis
In an early winter night in the north, a little boy learns of the death of his grandmother at the home of a stranger. The next day, penniless, he comes to the city cemetery for the first time and runs into another other boy who came to sweep his grandma’s grave…
Director Biography
Currently completing a bachelor’s degree at Beijing Film Academy.
Director and Writer ofStanding (2009)—a one-take experimental short film
Director’s Statement
This is a short film of more than ten minutes. At the beginning of creation, I just wanted to express a kind of emotion which comes from myself—I went to a cemetery in Beijing on a whim during the Tomb Sweeping Day in 2019, I didn’t cry for nearly a decade, but for some reason I cried there. In terms of the script and the story, this is a film without a strong conflict, and the original intention of the film is to express a kind of an emotion. The script roughly has two lines: one is very specific line in which the grandma dies and Xiaoyu goes to the cemetery memorial, the other is the line of Xiaoyu’s life and emotions, from abasement to rekindling of hope. They are intertwined and both focus on the characters. However, the two lines are not completed well. During editing, I still focused on the emotional expression and blurred the story line, hoping that the audience could feel the emotion of the film rather than the story itself.