不是再见 Already Gone

不是再见
Already Gone

导演|曾子一
编剧|曾子一
主演|吕祚政、陈冠良
制片人|顾馨
摄影|周⼦亨
类型|剧情短⽚
时长|15分钟
完成时间|2021
对白语言|中⽂普通话
字幕|中英
地区|中国
制片公司|无

故事梗概


靠租赁售卖DVD为⽣的阿政,在⾃⼰店⾥重逢了他念念不忘的前任阿诚,两⼈的激情再次燃起,阿诚却沉浸在对另⼀个⼈的深深思念中,早已不记得阿政是何⼈。阿政痛⽽离开,对阿诚的思念让他魂不守舍,恍惚间以为阿诚来店⾥找⾃⼰,甚⾄邀请⾃⼰与他共舞。⽽此时的阿诚,在常去的舞厅依稀记起和阿政的点滴,奈何他对阿政所有的感情,也仅⽌于此。时间⼀天天过去,阿政终于从幻想中醒来,接受了阿诚不爱他的事实。

导演介绍


曾⼦⼀,1995年出⽣于⼴东深圳。
本科毕业于北京⼯业⼤学⼴告系,中国传媒⼤学电视编导系(辅修),研究⽣就读于法国法国国⽴⼯艺学院。毕业后从事影视⼴告编导⼯作⾄今。作品乐于探索少数群体的喜怒哀乐。

导演阐述

表达纯粹的情感感受,是我创作这部短⽚的初衷。因此,我抛弃了戏剧性的情节结构,撇去了外部的现实和社会环境,⽽以⼈物和他们的情感关系作为影⽚的基点和推进动⼒,全⽚注重描写陷⼊爱时⼈的⼼理感受与变化。阿政和阿诚像城市⾥许多⼈的缩影、⼀个朦胧的意象、⼀种模糊的身份背景,意为专⼀表现他们在相爱时的热烈和思念时的⽆所适从——两种我们⼏乎都会经历的感受。视听语⾔上,我使⽤⼿持摄影、旁⽩、声画分离等⼿法,将⼈的感受凸显到极致。我期望这部⽚⼦能够唤醒观众关于爱的感受和记忆。

Director|Ziyi Zeng
Screenwriter|Ziyi Zeng
Cast|Zuozheng Lv, Guanliang Chen
Producer|Xin Gu
Cinematographer|Ziheng Zhou
Genre|Narrative Short (Fiction Short)
Length|15min
Year|2021
Dialogue|Mandarin Chinese
Subtitles|Chinese, English
Region|China
Production Company|None

Synopsis


Living on a DVD shop, Ah Zheng re-encounters his memorable ex-boyfriend, Ah Cheng, and their passion for each other is evoked again. However, Ah Cheng fails to recognize Ah Zheng and already has someone else. Ah Zheng leaves with grief, but he misses Ah Cheng so much that he imagines Ah Cheng coming to his shop and inviting him to dance together. Meanwhile in the ballroom where they used to visit, Ah Cheng recalls the days with Ah Zheng, but his feeling for Ah Zheng does not increase. Ah Zheng gradually accept the fact that Ah Cheng does not love him anymore.

Director Biography


Ziyi Zheng was born and grew up in Shenzhen. He has graduated with a bachelor’s degree in Advertisement from Beijing University of Technology, and with a master’s degree from Conservatoire national des arts et métiers. He has since been directing films, television, and advertisements. His works focus on exploring individual emotions and experiences of the minorities.

Director’s Statement


My original intention to create this short film is to express pure emotions. Therefore, I abandon the dramatic structure, leave aside the external reality and social environment, while base and develop the film on characters’ emotional relationship, focusing on psychological feelings and changes when people fall in love. Ah Zheng and Ah Cheng are like the epitome of many urban people, an obscured image and a vague identity background. The film expresses their enthusiasm when they are in love and their confusion when they are lovesick—two feelings that almost all of us experienced. In terms of film language, I employ hand-held shot, voiceover, separation of sound and image, and other techniques to make it extremely subjective. I hope this film can awaken the audience’s feelings and memories about love.

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