《逃·风景》

B²EAU²T²Y

2014| 15 min | 姚聪 Yao Cong

实验片 Experimental Film

编剧 Screenwriter

姚聪 Yao Cong

主演 Cast

王海鸥 Wang Hai’ou, 姜逸轩 Jiang Yixuan

制片人 Producer

姚聪 Yao Cong

摄影 Cinematographers

程艺 Cheng Yi, 王野 Wang Ye, 姚聪 Yao Cong

对白语言 Language

无 None

制作机构 Production Group

自制 DIY

故事梗概 Synopsis

被赋予、被崇拜、被强加、被满足，唯有社会性别是人类经验中对人类分化最为严重的东西。从而，我们在已设定好的社会中生存，为了可行的生活，甚至只是为了生存，我们必须化妆，那是原因，也是结果；骗了他人，也骗了自己。

剧场里，剧场外，现实与超现实的交替与共生，是个体与个体，个体与社会的交融。她被崇拜，因为她是美的化身，他被质疑，因为他不被承认。逃离，是因为我们知道自身只有脱离了社会性，才能真正拥有自己。即使逃离也是被他人操纵的插曲，即使只能拥有片刻欢愉，即使一切都在循环中无果，即使······

Being blessed, worshiped, controlled and satisfied—these are the things that most drastically differentiate gender roles within human development. Thus, we must wear makeup in order to lead a livable life and even merely to survive in this programmed society. That is the cause as well as the effect. It is a lie to others and to oneself.

Whether inside or outside theater, alternation and coexistence between the realistic and the surreal is the integration of individual and individual, individual and society. She is adored for her beauty, while he is unaccepted and therefore suspect. We escape because we realize that our true self can be only be obtained away from sociality. Even if escape is merely a staged episode, or if the pleasure is only temporary, or if the cycle never leads to any outcome… even if…

导演简历 Bio-Filmography of Director

1992年出生于中国西安，2010年考入中国美术学院。他极力发挥自己的感性驱动力，以风格化特性造境浅唱。近年来，他主要致力于性别文化尤其为酷儿文化研究，并结合活动影像、社会性互动和身体剧场等多媒介方法进行创作。

参展信息：2014思无界—艺术院校大学生年度提名展，今日美术馆，北京;中国美术学院毕业作品展，中国美术学院;“2014中国·罗平国际摄影节”云南罗平;2013：“西岸-建筑与当代艺术双年展”上海;“第十四届OPEN国际行为艺术节”，北京798空间站;“微光”艺术展，杭州银泰艺术廊”;“2013国际纤维艺术双年展——游园·今梦”演出影像，杭州钱王祠; “中国美术学院85周年校庆”参与制作部分记录片;“濒死之眼——死前风景艺术展”中国美术学院、台北;“媒体剧场——文化香奈儿”广州大剧院;2012：“自由提问”杭州青年艺术家联展，杭州三尚当代艺术馆;“女人月影”影像展映，浙江美术馆;“实验在继续”中国美术学院;2011“4X5”身体行为，浙江美术馆;获奖记录：获得2014年中国美术学院毕业作品展金奖；获得捷成工业影视设计大赛团体金奖。

导演简历 Bio-Filmography of Director：

Yao Cong was born in 1992 in Xi’an and was admitted to the Chinese Academy of Art in 2010.

Sensitive emotions have always been the driving force behind his inspiration. In the process of creation, he attempts to bring his artwork into full play, and also tries to employ stylized settings to complement his work. One can see that his work allows him to convey the inner desire of speaking freely, of reflection and of the quest for release. Recently, his work focus more on gender culture and queer cultural research in particular. This he explores through moving images, social interaction, physical theatre and other media.  He has exhibited widely and participated in various art practices.

Exhibitions. 2014: THE REALM OF ADVAITA-Annual Nomination Exhibition for Students of Contemporary Art; Academies, Today Art Museum,Beijing; Graduation Exhibition of China Academy of Art; China Luoping International Photography Festival, Yunnan; 2013: The West Bank Architecture and Contemporary Art Biennale, Shanghai;14th OPEN International Performance Art Festival, Beijing 789 Space Station; Glimmer of Light Exhibition, Intime Art Gallery, Hangzhou; Fiberart International Biennale, Emperor Qian Temple, Hangzhou; Documentary, 85th Anniversary of China Academy of Art; Dying Eyes: Landscape Before Death Art Exhibition, China Academy of Art, Taipei; The Media Theatre—Cultural Chanel, Guangzhou Opera House; 2012:Free inquiry, Hangzhou Young Artists Exhibition, Hangzhou Sanshang Art; Monat der Frauen Filme , Zhejiang Art Museum; Experiment in Progress, China Academy of Art ; 2011:4X5 Body Behavior, Zhejiang Art Museum; Awards:Golden Prize of Graduation Exhibition of China Academy of Art; Group Golden Prize of Jebsen Industrial Television Design Competition.

导演阐述 Director’s Statement

以性别为议题尤其为酷儿议题的艺术创作，是我大学二年级以来感兴趣并致力的课题。这部片子便以此为议题展开。社会性别分化，是文明的产物，为此我们背负的太多，更或是我们已在不知不觉中习惯并沉浸于伪装的愉悦。我们带妆生活，以假乱真。那么，该何时卸妆。然而，对于既定的社会，无论是以实际形式，或是乌托邦形式，一向都是跟深深的社会排斥联系在一起的。我们都在妥协中挣扎，在挣扎中麻木。一切都太残酷，自由是需要付出代价的，以此我转以往极力抒发主观情绪而不同，在唯美的装饰下直指议题。这是我的本科毕业创作，结合舞蹈剧场与影像语言进行创作，于2014年二月开始构思，五月低完成，在此还是要感谢一路上对我帮助的所有朋友们。

In my sophomore year, I started developing an interest in creating artworks that were centered on the subjectof gender, especially queer issues. This video addresses these issues. We have shouldered too great of a burden because of gender differentiation existing in society; this is a product of civilization. Unconsciously, we are accustomed toindulging in a kind of camouflage pleasure such that we must wear makeup to live our lives and cover up truth with falsehood. Indeed, it’s high time to remove the makeup. However, established society, whether in actual form or utopian form, has been associated with a deep-rooted repulsion. Thus we struggle to compromise and become indifferent in this struggle only to realize that everything is cruel and freedom comes at a price. Shifting from intention to strong expression of subjective emotion, I took a quite different approach to bringing out these themes by employing aesthetic beauty. This is the graduation project I created to conclude my undergraduate study. It finely integrates dance theatre and the language of images. The idea was first conceived in February, 2014 and too as long as three months to complete. Here, I would like to express my sincere thanks to all of the friends who have helped.